Well, we're at Memorial Day weekend, 2024; and typically this is high season for the movie box office in the U.S.
Feels like over the past 5 years or so, this hype has really been missing. There are several factors for that, imo. This year, I actually did pay to see two offerings that Hollywood thrust on the masses to kick off the 2024 movie going season: Furosa: A Mad Max Saga; and Kingdom of the Planet of the Apes.
Neither of these entries were especially good. Of the two, Furiosa: A Mad Max Saga was the decidedly better of the two. But that's not saying much because Kingdom of the Planet of the Apes was a complete missfire.
The funny thing is the origin of both of these series were a couple of the best movies of all time, imo: The Road Warrior (1981) and Planet of the Apes (1968) were iconic movies in their time. The problem is, you can only milk the same cow for so long. And both of these franchises have been milked dry. Which brings us to one of the contributing factors for a box office in decline:
Hollywood doesn't make original stories anymore.
Rather, whatever they dump on us, it's off some kind of past product: Barbie: a movie made by in large due to the success of Barbie dolls in the past. Mission Impossible 709, Oppenheimer was a biopic, the 3rd wave of Halloween movies, the 3rd wave of Planet of Ape Movies, the 4th wave of Batman movies.
To be honest I didn't go into either Furiosa: A Mad Max Saga nor Kingdom of the Planet of the Apes with much of an open mind. I expected bad. Kingdom of the Planet of the Apes has a very uninspired story: an ape survives his villages conquest by a bigger tribe of apes, then when attempting to free captured villagers finds a plan by the conquesting village to open a depot of past human weaponry that will help their leader achieve further conquests and solidify his power. Furiosa's story fails in that it relies way to much on the past mythology of Fury Road (2014), and that post-apocalyptic world isn't enough to sustained interest, as the screenwriters didn't introduce enough new stuff -- especially late in the movie where Furiosa really falls apart. Chis Hemsworth's "Dementus" character never registered a good villain. Furiosa starts out more good than bad, but once a the Mad Max clone character of Pratorioum Jack comes into the story -- about at the halfway point, the story starts to go down hill, until by the end Dementus' demise doesn't make much sense. The storytelling in the last third of the movie really left a bad taste in my mouth.
One of the saddest things about the Kingdom of the Planet of the Apes is the digital artwork of the talking apes themselves. I would have rather seen the actors in ape costumes from the original franchise (1968-1973). If you can't even get that right, you are screwed in a movie like that. The story follows one ape, who seeks to free survivors from his village after it is attacked by a rival village who has a leader want to "open the vault" on the sea coast that is rumored to have technology that will help him do further conquests and solidify his power. The quest is rather dull with no real elaborate battle scenes. The talking human girls plight is poorly expressed as well. Hopefully this we be the last Planet of the Apes debacle that Hollywood makes. This idea is toast, burnt toast.
I guess I would be remiss if I didn't touch on Anya Taylor-Joy's portrayal of Furiosa. She looks mad for most of the scenes she's in. At the ACT II break-point she literally rips her arm off to escape Dementus and his gang. Then at Imortan Joe's hang-out she make a robotic prosthetic for herself. This is shown, but is still totally unbelievable.
Furiosa: A Mad Max Saga also suffers from alters in time from the timeline of events that The Road Warrior set into play back in 1981, In between movies you are expected to now push OUT the evens in Furiosa something like 45 years since the collapse of modern civilization, YET everyone is riding around in supped up monster cars and motorcycles. This requires a significant suspension of belief. You gotta go with it, yet what you see doesn't feel plausible. The Road Warrior you can buy into the fall of civilization and rise of barbarian gang, Furiosa: A Mad Max Saga; not at all.
Stop ruining my legacy - last, parting message from the Humungus
So as the box office numbers continue to be bad, know that are a direct reflection of the CRAP Hollywood is producing. It's just bad movies, bad stories at the story level. This is stuff that people who do this for a living should know better. It's like nobody cares about the final product anymore.
Hollywood is too infected by the Democratic party, and woke ideology too. I think that has a way of rearing its ugly head in terms of what gets greenlit. There is less reason for optomism than ever before. Those at the heads of the studios aren't choosing good stories to produce, and the effect of this is a post-apocalyptic box office!