Life is filled with moments. Moments that you look forward too. Moments that you cherish. Moments that stick in your head for the rest of your life. The image that I'm opening this post with is that of my family from November of 2015. Denny, my mom's fraternal twin (the lady wearing the scarf) has gone on to be in Heaven with the Lord, where she belongs. She died at the end of March in 2016. E.C. cries...
But remembering past losses isn't what this post is about. No, it's about something I've been thinking a lot about lately, and that's moments.
Now I am a pre-pro novelist and screenwriter. The world maybe going through a pandemic right now, but that's not really where my head has been at for the past week. This past week I wrote a new screenplay. Was at the later stages of editing, LOVE AT GREAT COST: the 3rd manuscript in THE LEGEND IN THARS series when Carson Reeves over at -- Scriptshadow challenged the writers who frequent his site to try to write a screenplay in two weeks. Always game to play along I acted on this. Posted 5 loglines for stories I'd been mulling over before I decided to go back to my favorite genre of them all; the romantic comedy.
Now on the surface, if you were to know me, look at my life, and do an assessment; I think you would come to the conclusion that I'm not really a rom-com guy. Not that funny. I'm 50 years old and single. Work a crappy job in construction. Not you atypical romantic/funny person. But since I've never let that stop me before I took the challenge up, and set out to write a romantic comedy entitled, SO GO BACK & GET HER, and too my great surprise I was able to finish a first draft of it in record time. Got it registered with the WGAw and even filed for U.S. Copyright protection last night.
Last night was a "moment" for yours truly because he just accomplished the hardest feat a writer ever undertakes: going from a blank page to a COMPLETED draft!
So is it perfect? Far from. I just started re-listening to it in Final Draft and was making some corrections. But not as many as you might think. I'm getting better at this over time.
What was so fun about writing this script was really how EASY it was to write. One, if not the easiest, I've ever written. Following Carson's advice I made some a series of checkpoints to reach. He gave a days to do an outline and flesh out some beat, and I did. Still, when you're coming up with plot points that fast, those aren't usually the best ideas. I knew that going in. But I made a bio folder for my key characters and that really helped. I had an idea of where the story would go and the bare-bones goal of where several key scenes should go, but when Carson said, "Go, now start writing your 1st draft" of course I wanted more time to flesh out scenes and characters. Normally I'd do an outline over a month to three months. Adding things, testing how it all fits together. I basicially like the whole damn thing written before I've typed in my first word into Final Draft (the screenwriting solftware that I use).
Working off my outline, what I had in my character bios and notes got me to about page 76, and that's when I took a walk, came back and wrote the rest of the 1st draft pretty much by "inspiration" alone. The dialog and what the characters were feeling and wanted to do was ALIVE to me. At times it didn't even feel that I was in the room. All I did was decide when the scene was over, and where the action picked up. My characters told their story. The big 4 as I like to call them. Okay, so Edward Norton, Amy Schumer, John Ham, and Taylor Swift helped. They are the big 4. I wrote what they were doing in the film that was being shot in my mind.
I wrote this script to hit my characters moments. Were they were acting in revenge, where they were bearing the hopes that they had in their hearts, where they were acting foolish, where they were learning their life lessons. YES, there was a lot of comedy involved. But it came from them being them, not me being me.
So it's kind of a surreal feeling when you're writing a story that is really about someone else. The character arcs in SO GO BACK & GET HER are NOT a reflection of who I am, its a reflection of who they are.
Story world.
Sometimes story world can carry you through a "bleak week" of self-isolation. See I started feeling sick on Monday night. After calling the doctor, he told me to stay away from work for a week. So now here I am, coming out of that, poised to go back tomorrow--with a new, completed screenplay under my belt!
So is it any good? Dude, its great! I laughed my ass off writing it. Writing this one was really not a chore at all. From about page 76 on everything flowed without much of a hiccup.
Moments. Gotta enjoy them when they're there. Like getting an Oscar. What do you say when the lights are on you, and you're the toast of the town for ONCE in your life--unless your name happens to be Merryl Streep who is up getting a golden boy seemingly every year.
Now it's onto the drafting process. Sigh... But that's what's expected of writers; they work on their stories and make them better. After SO GO BACK & GET HER is done I'm heading back to Thars to finish the 3rd manuscript.
Moments, fleeting. Yet memories remain.